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Size And Weight Of The Statue Are:
The surface is divided into a measured grid, each compartment holding a distinct presence, yet the eye is repeatedly pulled back to Vishnu at the centre. His upright stance interrupts the modular rhythm, establishing continuity across otherwise separate frames.
Around him, deities appear not as attendants but as parallel centres of power. Ganesha occupies one bay with compact fullness, while Saraswati is seated in quieter balance. Kamadhenu introduces a pastoral register, contrasting with the more formalised shrine-like enclosures of Rajarajeshwari and Annapurna.
The arches repeat but never mirror exactly, creating slight shifts in depth and spacing. Gold rises unevenly across these compartments, catching light in fragments rather than as a single surface, so the painting reads as a constellation of shrines held within one frame.
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